Here’s a deep dive into the lesser-known facts about Georgina Spelvin, a woman who shattered expectations and carved out a unique legacy in entertainment.

Georgina Spelvin is a name that carries weight in the history of ad*lt cinema, but her life extends far beyond the controversial films that made her famous. Best known for her groundbreaking role in The Devil in Miss Jones (1973), she became an icon of the Golden Age of adult films. However, her journey is filled with unexpected turns, fascinating achievements, and a relentless pursuit of reinvention.

From Broadway to Ad*lt Films: A Journey Few Expected

Before stepping into the world of ad*lt cinema, Georgina Spelvin—born Michelle Graham on March 1, 1936, in Houston, Texas—had a completely different career path in mind.

She Started as a Broadway Dancer

Long before ad*lt films, Spelvin found success on Broadway. She performed in musicals and stage productions, including roles in The Pajama Game (1954) and Sweet Charity (1966). Her background in dance gave her a commanding stage presence, something that later translated into her work on screen.

However, struggling to find steady work in mainstream entertainment, she eventually transitioned into film—though not in the way many would have expected.

Video: Coffy (1973) – You Better Believe It’s Comin’! Scene

She Wasn’t Supposed to Star in The Devil in Miss Jones

Spelvin’s most famous role almost didn’t happen. She was originally hired as a cook and production assistant on the set of The Devil in Miss Jones, one of the most artistically ambitious ad*lt films of its era.

It was director Gerard Damiano, famous for Deep Throat (1972), who convinced her to take the lead role. She agreed, and the film became a massive hit, catapulting her to fame in the ad*lt industry.

The Film Was More Than Just an Ad*lt Movie

Unlike typical ad*lt films of the era, The Devil in Miss Jones had a philosophical and existential storyline. The plot follows a woman who, after committing suicide, is trapped in purgatory and forced to explore the depths of desire.

The movie’s themes were heavily influenced by Jean-Paul Sartre’s existentialist play No Exit, making it one of the few ad*lt films with literary and artistic depth.

She Almost Got Arrested Because of the Film

In the 1970s, the U.S. government cracked down on ad*lt films, and The Devil in Miss Jones was at the center of the controversy. In some states, the film was banned and theater owners were arrested for showing it.

During a promotional tour, Spelvin herself was almost taken into custody, as authorities labeled the film as obscene and indecent.

She Successfully Transitioned to Hollywood—But Behind the Scenes

Unlike many of her peers, Spelvin left the ad*lt industry and found a stable career in mainstream Hollywood—but in an unexpected role.

She worked behind the scenes in film and television, becoming a film set construction coordinator. Some of her credits include work on:

• Police Academy (1984)
• Tank Girl (1995)

Though she wasn’t in front of the camera, her impact in Hollywood was still felt.

She Had a Cameo in a Popular Hollywood Comedy

Spelvin may have stepped away from ad*lt films, but she wasn’t afraid to make subtle nods to her past. One of her most well-known mainstream appearances was in Police Academy (1984), where she played a prostitute in a comedic scene.

Many viewers never realized who she was, but for those who did, it was an inside joke referencing her ad*lt film past.

She Published a Raw and Honest Memoir

In 2008, Georgina Spelvin released her autobiography, The Devil Made Me Do It, offering a candid look into her life before, during, and after the ad*lt film industry.

Unlike other tell-all books filled with scandal, her memoir was humorous, reflective, and deeply personal. It provided insight into the struggles and triumphs of a woman who lived multiple lives in the entertainment industry.

She Was Featured in a Documentary About Life After Ad*lt Films

In 2017, she appeared in the documentary After P*rn Ends 2, which explored the lives of former ad*lt film stars. She spoke openly about the challenges of leaving the industry, dealing with public perception, and finding a new purpose in life.

Her reflections showed that while ad*lt films gave her fame, she ultimately sought something beyond notoriety.

Her Influence Still Echoes in Pop Culture

Georgina Spelvin’s legacy continues to be referenced in TV shows, books, and films. Her name is often mentioned in discussions about the Golden Age of ad*lt cinema, and she remains one of the most recognized figures of the era.

Her story isn’t just about an ad*lt film star—it’s about reinvention, resilience, and breaking societal norms.

Conclusion: More Than Just an Icon of Ad*lt Cinema

Georgina Spelvin’s life is a testament to transformation and survival. From Broadway to ad*lt films, and then into mainstream Hollywood as a behind-the-scenes professional, she proved that a person is never just one thing.

She defied expectations, embraced change, and left behind a legacy far more complex than a single film role. While The Devil in Miss Jones made her famous, her willingness to embrace every stage of her journey is what makes her truly unforgettable.